Technological a nd economic concerns have long been the drivers of debate about copyright. But diverse disciplines in the humanities - including literary studies, aesthetics, film studies, a nd the philosophy of art - have a great deal to offer if we wish to establish a mo r e nuanced a nd useful conception of copyright a nd autho r ship. This volume brings together scholars fr om a range of disciplines to explo r e the challenges inherent in translating aesthetics a nd creativity studies to concepts of copyright, especially as longsta nding approaches are troubled by the rise of the digital.
Technological a nd economic concerns have long been the drivers of debate about copyright. But diverse disciplines in the humanities-including literary studies, aesthetics, film studies, a nd the philosophy of art-have a great deal to offer if we wish to establish a mo r e nuanced a nd useful conception of copyright a nd autho r ship. This volume brings together scholars fr om a range of disciplines to explo r e the challenges inherent in translating aesthetics a nd creativity studies to concepts of copyright, especially as longsta nding approaches are troubled by the rise of the digital. أقرأ أقل